• Photography Ads

  • Recent Posts

  • Categories

  • Future Topics

    White Balance
    Assignment Photography
    Photo Acute and other Software
    HDR
    Manipulations
    3D
    A Life Shot in B&W
    Breaking the Rules
    Through The Viewfinder (TTV)
    Lomo
    Experimentation
    Photojournalism
    Photographing People
    Making a Business of it
    The "Standard" Shot
    As Time Passes
    Meetups
    Elements
  • Most popular posts

  • Tags

    Abstract Advice Aircraft Landing American Eagle Backlighting Buying Canna Lily Canon Cellphone Cameras Creative Depth Stacking Diffusion Digital Camera E66 equipment Fall Colors Fiber Optics Fill Flash Flash Gear Handheld HDR Insect Just in Time Lighting Long Exposure Macro Mosaic Mutliple Opinion Panorama Picture365 Portraits RSS Rules Shadow Space Special Effects Stitching Sunset Technique Telephoto Venetian Blinds Yosemite Zoom
  • « | Home | »

    Multi-picture Composites, Part 2

    By sirsnapalot | July 25, 2009

    Continuing on the multiple-picture composite scheme, here’s a shot I took in Buenos Aires in March.

    Buenos Aires

    Buenos Aires

    It was a fairly simple one in composition. Being in the middle of a downtown can make it difficult to give one a sense of the city. Taking multiple shots to simulate a very wide-angle lens, and stitching them together, is a useful tool.

    This shot consisted of 8 shots- 4 up the building on the left, a center one below, and 3 more up the right building.  When we got home, I dumped them into Photoshop and applied Photomerge to get this result.

    To show you a “behind the scenes” shot, here is the image that Photomerge generated first.  I have highlighted how each of the 8 shots were used.  What surprised me here was that only 6 of the 8 were actually utilized.  That’s fine- you’d rather have a little too much overlap than not enough and have a gap.

    Buenos Aires

    Buenos Aires

    Basically, it only used 3 of my shots for the left building and 2 of them for the right, plus the center ground shot.  The composite shot is a little rough on the edges, so you just need to then merge the layers and clean up the edges a bit for a cleaner-looking final shot.

    Depending on how you organized your shots when you took them, the perspective correction can take a linear or curved appearance, as seen in the previous post, Part 1, on this thread.

    Popularity: 17% [?]

    • Share/Bookmark

    Topics: Advanced, Creative, Multi, Technique | No Comments »

    Comments